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"covertext": "Reclining at dinner, drinking wine, and getting to eat karpas , a Greco-Roman appetizer, is freedom? Seriously? Th...",
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"body": "<p>Reclining at dinner, drinking wine, and getting to eat <em>karpas</em> , a Greco-Roman appetizer, is freedom? Seriously?</p>\n\n<p>The first part of the seder is a wicked satire that mocks the fool's answer to the central question of the Seder, \"What is freedom?\"</p>\n\n<p>Imagine one of the great Rabbis of the Sanhedrin in antiquity, watching the Sages imprisoned and tortured by the Romans, watching senseless massacres of Jewish women and children by their Roman oppressors. Imagine him turning to a Roman citizen --the only truly \"free\" person in the world by <em>their </em> definition-- and asking, \"Tell me, What is it like to be a Roman citizen, to be free?\" Now imagine the answer: \"This is what a free person gets to do. We get to recline on pillows while we eat; we get served; we drink as much wine as we can hold in an elaborate drinking game called a 'symposium,' and we get to eat <em>karpas</em> , appetizers!\" <em>What would a Jew think of that?</em> </p>\n\n<p>They'd think: \"You who are free are idiots! If we were free, we'd use our freedom not for appetizers, but for education, for making a better society, for building a safety net for our elderly, sick, and poor, not for lemonade and appetizers!</p>\n\n<p><strong>The Jewish answer to \"What is freedom?\" is that Freedom is about What You Do With Your Freedom.</strong> <strong> How you answer that question depends on Your Story, your Maggid, from <em>mitzrayim</em> to a chance to use your freedom.</strong></p>\n\n<p>A person today who has never suffered might define freedom as what it looks like: a new car, hundreds of followers on social media, fashionable clothes, a large house, early retirement.... Those are the pillows, wine cups, and <em>karpas</em> of today.</p>\n\n<p>Only the person who identifies with oppression knows that the real answer to the seder's central question is: \"Real freedom is using your freedom to serve God.\"</p>\n\n<p> <em>Take the karpas, dip it into salt-water, and recite: </em> <strong>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם, בּוֹרֵא פְּרִי הָאֲדָמָה</strong></p>\n\n<p>Baruch Atah Adonai, Eloheinu melech ha’olam, borei p’ri ha’adamah.</p>\n\n<p>Blessed are You, Lord, our God, Ruler of the universe, who creates the fruit of the earth.</p>",
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"handle": "musical-maggid-bob-marleys-them-belly-full",
"title": "Musical Maggid: \"Bob Marley's Them Belly Full\"",
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"covertext": "As the Israelites suffered from being given more slave work than they could accomplish with the quota of straw & bri...",
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"body": "<p> <em>As the Israelites suffered from being given more slave work than they could accomplish with the quota of straw & bricks, and as they went hunrgy while their oppressors' bellies were full, God instructed Moses to go to Pharaoh and demand that the Israelites be allowed to go into the wilderness for a 3 day \"Chag\" Dance Festival [the root meaning of \"Chag\" is \"dance in a circle\"] to Y-h-v-h (shortened by some to \"Jah\").</em> </p>\n\n<p><strong>Them Belly Full (But We Hungry): Music by Bob Marley. Words Modified by Rabbi Nadav Caine</strong></p>\n\n<p>(Na-na-na-na, na-na na na-na; na-na-na-na na-na na na-na) x 2<br />\nThem belly full but we hungry, a hungry mob is an angry mob<br />\nSlavery, the work it tough, they give us bricks but it ain't enough<br />\nWe're gonna dance to Jah music, dance<br />\nWe're gonna dance to Jah music, dance<br />\nForget your troubles and dance, forget your sadness and dance<br />\n<br />\nPharaoh wants our boys to die, the Israelites they start to cry<br />\nAnd now the weak must get strong, they say oh what a tribulation,<br />\nMy belly full but me hungry. A hungry mob is an angry mob<br />\nSlavery, the work it tough, they give us bricks but it ain't enough<br />\nWe're gonna dance to Jah music, dance<br />\nWe're dancin to Jah music, we're dancin'<br />\n <br />\nThem belly full but we hungry, a hungry mob is an angry mob<br />\nSlavery, the work it tough, they give us bricks but it ain't enough</p>\n\n<p>Slavery (CONG: work it tough)<br />\nAnd all the bricks (CONG: it ain't enough)<br />\nA hungry mob (CONG: angry mob)<br />\nA hungry man (CONG: angry man)</p>\n\n<p>Slavery (CONG: work it tough)<br />\nAnd all the bricks (CONG: it ain't enough)<br />\nA hungry mob (CONG: angry mob)<br />\nA hungry man (CONG: angry man)</p>",
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"covertext": "\"Go Down Moses\" (Late 19th Century African-American Spiritual) When Israel was in Egypt land: Let my people go! Oppresse...",
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"body": "<p><strong>\"Go Down Moses\" (Late 19th Century African-American Spiritual)</strong></p>\n\n<p>When Israel was in Egypt land: Let my people go!<br />\nOppressed so hard they could not stand: Let my people go! </p>\n\n<p>Go down, Moses way down in Egypt land.<br />\nTell old Pharaoh To let my people go!</p>\n\n<p>Thus spoke the Lord, bold Moses said, Let my people go! <br />\nIf not I'll strike your firstborn dead. Let my people go. <br />\nYour foes shall not before you stand: Let my people go!<br />\nAnd you'll possess fair Canaan's land. Let my people go.</p>\n\n<p>CHORUS</p>",
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"covertext": "CHORUS: Pharaoh, Pharaoh, Oh baby! Let my people go! HUH! Yeah! Yeah! Yeah! Yeah! Singin' Pharaoh, Pharaoh, Oh baby! L...",
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"body": "<p> <em><strong>CHORUS</strong>: </em> Pharaoh, Pharaoh, Oh baby! Let my people go! HUH!<br />\nYeah! Yeah! Yeah! Yeah!<br />\nSingin' Pharaoh, Pharaoh, Oh baby! Let my people go! HUH!<br />\nYeah yeah yeah yeah!</p>\n\n<p>A burnin' bush told me just the other day<br />\nThat I should come over here and stay.<br />\nGotta get my people outta Pharaoh's hands<br />\nGotta lead my people to the Promised Land. <em><strong>CHORUS</strong></em> </p>\n\n<p>The Nile turned to blood! There were darkened black skies!<br />\nGnats and frogs! There were locusts and flies!<br />\nThe first born died, causing Egypt to grieve,<br />\nFinally Pharaoh said, \"Y'all can leave!\" <em><strong>CHORUS</strong></em> </p>\n\n<p>Me and my people goin' to the Red Sea<br />\nPharaoh's army's comin' after me.<br />\nI raised my rod, stuck it in the sand<br />\nAll of God's people walked across the dry land. <em><strong>CHORUS</strong></em> </p>\n\n<p>Pharaoh's army was a comin' too.<br />\nSo what do you think that I did do?<br />\nWell, I raised my rod and I cleared my throat<br />\nAnd all of Pharaoh's army did the dead man's float. <em><strong>CHORUS</strong></em> </p>\n",
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"handle": "ten-plagues-short-version",
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"covertext": "These are the Plagues that the holy one, blessed be he, brought upon Egypt. Blood | Dom | דָּם Frogs | Tzfardeyah | צְפֵ...",
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"body": "<p>These are the Plagues that the holy one, blessed be he, brought upon Egypt.</p>\n\n<p>Blood | Dom | דָּם</p>\n\n<p>Frogs | Tzfardeyah | צְפֵרְדֵּע</p>\n\n<p>Lice | Kinim | כִּנִים</p>\n\n<p>Beasts | Arov | עָרוֹב</p>\n\n<p>Cattle Plague | Dever | דֶּבֶר</p>\n\n<p>Boils | Sh’chin | שְׁחִין</p>\n\n<p>Hail | Barad | בָּרד</p>\n\n<p>Locusts | Arbeh | אַרְבֶּה</p>\n\n<p>Darkness | Choshech | חשֶׁךְ</p>\n\n<p>Slaying of First Born |Makat Bechorot | מַכַּת בְּכוֹרוֹת</p>\n",
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"covertext": "Dayenu דַּיֵינוּ אִלוּ הוֹצִיאָנוּ מִמִצְרַים, וְלֹא עָשָׂה בָּהֶם שְׁפָטִים, דַּיֵינוּ. אִלוּ עָשָׂה בָּהֶם שְׁפָטִים,...",
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"body": "<p><strong>Dayenu דַּיֵינוּ</strong></p>\n\n<p>אִלוּ הוֹצִיאָנוּ מִמִצְרַים, וְלֹא עָשָׂה בָּהֶם שְׁפָטִים, דַּיֵינוּ.</p>\n\n<p>אִלוּ עָשָׂה בָּהֶם שְׁפָטִים, וְלֹא עָשָׂה בֵאלֹהֵיהֶם, דַּיֵינוּ.</p>\n\n<p>אִלוּ עָשָׂה בֵאלֹהֵיהֶם, וְלֹא הָרַג אֶת בְּכוֹרֵיהֶם, דַּיֵינוּ.</p>\n\n<p>אִלוּ הָרַג אֶת בְּכוֹרֵיהֶם, וְלֹא נָתַן לָנוּ אֶת מָמוֹנָם, דַּיֵינוּ.</p>\n\n<p>אִלוּ נָתַן לָנוּ אֶת מָמוֹנָם, וְלֹא קָרַע לָנוּ אֶת הַיָּם, דַּיֵינוּ.</p>\n\n<p>אִלוּ קָרַע לָנוּ אֶת הַיָּם, וְלֹא הֶעֱבֵירָנוּ בְּתוֹכוֹ בֶּחָרָבָה, דַּיֵינוּ.</p>\n\n<p>אִלוּ הֶעֱבֵירָנוּ בְּתוֹכוֹ בֶּחָרָבָה, וְלֹא שְׁקַע צָרֵנוּ בְּתוֹכוֹ, דַּיֵינוּ.</p>\n\n<p>אִלוּ שִׁקַע צָרֵנוּ בְּתוֹכוֹ, וְלֹא סִפֵּק צָרְכֵּנוּ בּמִדְבָּר אַרְבָּעִים שָׁנָה, דַּיֵינוּ.</p>\n\n<p>אִלוּ סִפֵּק צָרְכֵּנוּ בּמִדְבָּר אַרְבָּעִים שָׁנָה, וְלֹא הֶאֱכִילָנוּ אֶת הַמָּן, דַּיֵינוּ.</p>\n\n<p>אִלוּ הֶאֱכִילָנוּ אֶת הַמָּן, וְלֹא נָתַן לָנוּ אֶת הַשַׁבָּת, דַּיֵינוּ.</p>\n\n<p>אִלוּ נָתַן לָנוּ אֶת הַשַׁבָּת, וְלֹא קֵרְבָנוּ לִפְנֵי הַר סִינַי, דַּיֵינוּ.</p>\n\n<p>אִלוּ קֵרְבָנוּ לִפְנֵי הַר סִינַי, וְלֹא נַָתַן לָנוּ אֶת הַתּוֹרָה, דַּיֵינוּ.</p>\n\n<p>אִלוּ נַָתַן לָנוּ אֶת הַתּוֹרָה, וְלֹא הִכְנִיסָנוּ לְאֶרֶץ יִשְׂרָאֵל, דַּיֵינוּ.</p>\n\n<p>אִלוּ הִכְנִיסָנוּ לְאֶרֶץ יִשְׂרָאֵל, וְלֹא בָנָה לָנוּ אֶת בֵּית הַבְּחִירָה, דַּיֵינוּ</p>\n\n<p> <em>Ilu hotzi’anu mimitzrayim, v’lo asah bahem shfatim, dayenu....</em> </p>\n\n<p>Had He brought us out of Egypt, and not executed judgments against the Egyptians, It would have been enough – Dayyenu</p>\n\n<p>Had He executed judgments against the Egyptians, and not their gods, – Dayyenu</p>\n\n<p>Had He executed judgments against their gods and not put to death their firstborn, – Dayyenu</p>\n\n<p>Had He put to death their firstborn, and not given us their riches, – Dayyenu</p>\n\n<p>Had He given us their riches, and not split the Sea for us, – Dayyenu</p>\n\n<p>Had He split the Sea for us, and not led us through it on dry land, – Dayyenu</p>\n\n<p>Had He led us through it on dry land, and not sunk our foes in it, – Dayyenu</p>\n\n<p>Had He sunk our foes in it, and not satisfied our needs in the desert for forty years – Dayyenu</p>\n\n<p>Had He satisfied our needs in the desert for forty years, and not fed us the manna, – Dayyenu</p>\n\n<p>Had He fed us the manna, and not given us the Sabbath, – Dayyenu</p>\n\n<p>Had He given us the Sabbath, and not brought us to Mount Sinai, – Dayyenu</p>\n\n<p>Had He brought us to Mount Sinai, and not given us the Torah, – Dayyenu</p>\n\n<p>Had He given us the Torah, and not brought us into Israel, – Dayyenu</p>\n\n<p>Had He brought us into Israel, and not built the Temple for us, <em>It would have been enough </em> – Dayyenu</p>\n\n<p>The Second Cup of Wine</p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם בּוֹרֵא פְּרִי הַגָפֶן.</p>\n\n<p> <em>Baruch Atah Adonai, Eloheinu Melech haolam, borei p’ri hagafen.</em> </p>\n\n\n",
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"covertext": "As the music pauses for the animal sounds, everybody make those animal sounds! [Alternatively, you can assign various p...",
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"body": "<p><strong> <em>As the music pauses for the animal sounds, everybody make those animal sounds! [Alternatively, you can assign various participants the roles of goat, cat, dog, stick, fire, water, ox, butcher, and angel of death. Every time it's mentioned, they have to make the sound! (Baaa, meow...).] </em> </strong></p>\n\n<p>Along came the kid [ <em>baaa] </em> that my father bought for two zuzim, chad gadya, chad gadya!</p>\n\n<p>Then along came the cat [ <em>meow</em> !] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the dog [ <em>woof</em> !] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the water [ <em>water sound</em> ] that quenched the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the that ox [ <em>ox sound</em> ] that drank the water [ <em>water sound</em> ] that quenched the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the butcher [ <em>sound</em> ] that slew the ox [ <em>ox sound</em> ] that drank the water [ <em>water sound</em> ] that quenched the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the Angel of Death [ <em>sound</em> ] that killed the butcher [ <em>sound</em> ] that slew the ox [ <em>ox sound</em> ] that drank the water [ <em>water sound</em> ] that quenched the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!<br />\nThen along came the Holy One and smote the Angel of Death [ <em>sound</em> ] that killed the butcher [ <em>sound</em> ] that slew the ox [ <em>ox sound</em> ] that drank the water [ <em>water sound</em> ] that quenched the fire <em>[fire sound</em> ] that burned the stick [ <em>snap</em> !] that beat the dog [ woof!] that bit the cat [ meow!] that ate the goat [ <em>baaa</em> !], that my father bought for two zuzim, chad gadya, chad gadya!</p>",
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"body": "<p> <em>Take the 3 matzot - the broken piece between the two whole ones – hold them in your hand and recite the following blessing:</em> </p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם הַמּוֹצִיא לֶחֶם מִן הָאָרֶץ.</p>\n\n<p> <em>Baruch atah Adonai, Eloheinu melech ha-olam, hamotzi lechem min ha-aretz.</em> </p>\n\n<p>Praised are you, Adonai, Lord our God, Ruler of the universe, who provides sustenance from the earth.</p>\n\n<p> <em>Before eating the matzah, put the bottom matzah back in its place and continue, reciting the following blessing while holding only the top and middle piece of matzah.</em> </p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם, אֲשֶׁר קִדְּשָנוּ בְּמִצְוֹתָיו וְצִוָּנוּ עַל אֲכִילַת מַצָּה.</p>\n\n<p> <em>Baruch atah Adonai, Eloheinu melech ha-olam, asher kid'shanu b'mitzvotav v'tzivanu al achilat matzah.</em> </p>\n\n<p>Praised are you, Adonai, Lord our God, Ruler of the universe, who has taught us the way of holiness through commandments, commanding us to eat matzah.</p>\n\n<p> <em>Break the top and middle matzot into pieces and distribute them everyone at the table to eat a while reclining to the left.</em> </p>\n",
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"covertext": "Maror מָרוֹר - Now dip some maror into the charoset, but not so much that the bitter taste is neutralized. Recite the f...",
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"body": "<p>Maror מָרוֹר - <em>Now dip some maror into the charoset, but not so much that the bitter taste is neutralized. Recite the following blessing and then eat the maror (without reclining):</em> </p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם, אֲשֶׁר קִדְּשָנוּ בְּמִצְוֹתָיו וְצִוָּנוּ עַל אֲכִילַת מָרוֹר.</p>\n\n<p> <em>Baruch atah Adonai Eloheinu melech ha-olam, asher kid'shanu b'mitzvotav v'tzivanu al achilat maror.</em> </p>\n\n<p>Praised are you, Adonai, Lord our God, Ruler of the universe, who has taught us the way of holiness through commandments, commanding us to eat the bitter herb.</p>\n\n<p>Korech כּוֹרֵךְ</p>\n\n<p>Make a \"Hillel sandwich\" of matzah, maror, and charoset. This way reminds us of how, in the days of the Temple, Hillel would make a sandwich of the Pashal lamb, matzah and maror, in order to observe the law “You shall eat it (the Pesach sacrifice) on matzah and maror.”</p>\n",
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"covertext": "NO EGYPT NO CRY (Music Bob Marley with words modified by Rabbi Nadav Caine) No, Egypt, no cry, No, Egypt, no cry, No, Eg...",
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"body": "<p>NO EGYPT NO CRY (Music Bob Marley with words modified by Rabbi Nadav Caine)</p>\n\n<p>No, Egypt, no cry, No, Egypt, no cry, No, Egypt, no cry, No, Egypt, no cry. </p>\n\n<p>The wise one asks, \"What are the laws that God requires of thee?\"<br />\nTell him there's a Seder, and an Afikomen, and in between we eat!<br />\nThe wicked one says, “What's this mean to you”? But not “to me”!<br />\nThe simple one adds, “What's this mean at all?\" The fourth stares silently.</p>\n\n<p>No Egypt No Cry, No Egypt No Cry,</p>\n\n<p>Here Little Darlin Don't Shed No Tears. No Egypt No Cry.</p>\n\n<p>Said, I remember when we used to build towers and roads in Egypt<br />\nOppression hurt like a bitter herb; our taskmasters they beat us.<br />\nGood friends we have, oh, good friends we've lost along the way<br />\nIn this great future, you can't forget your past, so dry your tears, I say</p>\n\n<p>Ev’ry things gonna be alright, ev’ry things gonna be alright (x 4)<br />\nNo Egypt, no cry, No, Egypt, no cry<br />\nHere, little darlin', don't shed no tears, No Egypt, no cry</p>\n\n<p>Said, God freed us, helped us cross the sea, and drowned our oppressors,<br />\nThen Aaron would light the fire lights, as Miriam sang through the nights<br />\nThen we would bake our matzah, of which I'll share with you<br />\nOur history is our purpose, so we've got to push on through</p>\n\n<p>Everything's gonna be alright, Everything's gonna be alright (x4)</p>\n\n<p>Here little darlin’ don’t shed no tears.</p>\n\n<p>Here little darlin’ don’t shed no tears. No Egypt no cry</p>",
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"body": "<p>Maggid: Ha Lachma Anya</p>\n\n<p> <em>Raise the tray with the matzot and say:</em> </p>\n\n<p>הָא לַחְמָא עַנְיָא דִי אֲכָלוּ אַבְהָתָנָא בְּאַרְעָא דְמִצְרָיִם. כָּל דִכְפִין יֵיתֵי וְיֵיכֹל, כָּל דִצְרִיךְ יֵיתֵי וְיִפְסַח. הָשַׁתָּא הָכָא, לְשָׁנָה הַבָּאָה בְּאַרְעָא דְיִשְׂרָאֵל. הָשַׁתָּא עַבְדֵי, לְשָׁנָה הַבָּאָה בְּנֵי חוֹרִין.</p>\n\n<p> <em>Ha lachma anya dee achalu avhatana b'ara d'meetzrayeem.</em> </p>\n\n<p>This is the bread of affliction, which our ancestors ate in the land of Egypt. Let all who are hungry come and eat. Let all who are in need, come and share the Pesach meal. This year, we are here. Next year, in the land of Israel. This year, we are slaves. Next year, we will be free.</p>\n\n<p><strong>Who'da Thunk It?</strong></p>\n\n<p>(Music by Greg Brown; Words Modified by Rabbi Nadav Caine)</p>\n\n<p>Used to say I could live on matzah, and we could and we did<br />\nLiving in tents, Welcoming the stranger, In the wilderness!</p>\n\n<p>Now we say we could live on matzah, but it's not true.<br />\nWe can't live on matzah because we don't want to!<br />\nWe want cake and cookies, artisan breads, don't give me macaroons!<br />\nWe want cake and cookies, artisan breads, don't give me macaroons!<br />\nAnd I say Hey Hey Hey Hey, Who'da Thunk it?<br />\nHey Hey Hey Hey, Ha Lachma Anya!</p>\n\n<p>Used to say I could live without karpas, and we could and we did<br />\nWe were slaves in Egypt, Ate the bread of affliction, And called on our God!</p>\n\n<p>Now we say we could live without karpas, it's not true.<br />\nWe can't live without karpas because we don't want to!<br />\nWe want egg rolls and salad, tapas, guacamole, and I'm going to dip twice!<br />\nEgg rolls and salad, tapas, guacamole, and I'm going to dip twice!<br />\nAnd I say Hey Hey Hey Hey, Who'da Thunk it?<br />\nHey Hey Hey Hey, Ha Lachma Anya!</p>\n\n<p>Used to say I could live without reclining, and we could and we did<br />\nAs long as we were together, on a wooden bench, what did it matter?<br />\nNow we say we could live without reclining but it's not true.<br />\nWe can't live without reclining, no! Because we don't want to.<br />\nGet me a lazy boy, a sectional, and a home theater!<br />\nGet me a lazy boy, a sectional, that's where I'll eat dinner!<br />\nAnd I say hey hey hey hey, what happened to the maror?<br />\nAnd I say hey hey hey hey, Who'da thunk it?<br />\nAnd I say Hey Hey Hey Hey, Who'da Thunk it?<br />\nHey Hey hey hey Ha Lachma Anya!<br />\nHey Hey Hey Hey, Who'da Thunk it?<br />\nHey Hey hey hey Ha Lachma Anya!</p>",
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"handle": "concluding-musical-maggid-u2s-one",
"title": "Concluding Musical Maggid: U2's \"One\"",
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"covertext": "The telling of our story is a failure if all it teaches is about the past and present, but not about the future. The goa...",
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"body": "<p> <em>The telling of our story is a failure if all it teaches is about the past and present, but not about the future. The goal of the seder is not just to know how we got free, but to embrace how we are to use that freedom, which is in in service of God. God redeemed us for a purpose, a purpose which requires us to use our freedom. These lyrics underscore the service in Oneness we are to use our freedom for. </em> </p>\n\n<p><strong>One </strong>(Music: U2, Words modified by Rabbi Nadav Caine)</p>\n\n<p>Is it getting better, or do you feel the same<br />\nIs freedom too hard for you<br />\nNow you got no one to blame</p>\n\n<p>We say: One God, One Tribe<br />\nWe all had to leave, In the night<br />\nIt's one love, We get to share it<br />\nIt leaves you baby, If you don't care for it</p>\n\n<p>Did God disappoint you?<br />\nOr leave a bad taste in your mouth?<br />\nYou act like you never had God<br />\nAnd you want your children to go without?</p>\n\n<p>It's not too late, Tonight, To drag our past out, Into the light<br />\nWe're one tribe, But we're not the same<br />\nWe get to carry each other, Carry each other, One</p>\n\n<p>Have you known the taste of injustice,<br />\nOf meaning what we just said?<br />\nDo you crave your freedom,<br />\nAnd freedom for all the rest?<br />\nDid God ask too much, More than a lot<br />\nYou got your freedom,, Is that all you got?<br />\nWe're one tribe, But we're not the same<br />\nWe serve Ha-Shem, Then we do it again!</p>\n\n<p>God says: Build yourselves a temple!<br />\nLove the higher law<br />\nBuild yourselves a temple, Love the higher law<br />\nHe asks us to enter, But then we want to crawl<br />\nAnd we can't be holding on, <br />\nTo what you got, If all you got is yours</p>\n\n<p>One God, One blood, One tribe<br />\nYou got to do what you should, One life, With each other, Sisters Brothers</p>\n\n<p>One life, But we're not the same, <br />\nWe get to carry each other<br />\nCarry each other... One.</p>",
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"title": "Blues' Ten Plagues: Death Don't Have No Mercy in Egyptland",
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"covertext": "Death Don't Have No Mercy (Classic folk blues by the Reverend Gary Davis; Words Modified by Rabbi Nadav Caine) Death don...",
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"body": "<p><strong>Death Don't Have No Mercy (Classic folk blues by the Reverend Gary Davis; Words Modified by Rabbi Nadav Caine)</strong></p>\n\n<p>Death don't have no mercy in Egypt land<br />\nDeath don't have no mercy in Egypt land,<br />\nHe’ll come to your house, blood and frogs on the floor,<br />\nLice and beasts coming through your door,<br />\nDeath don't have no mercy in Egypt land.</p>\n\n<p>Death won’t give you time to get ready in Egypt land<br />\nDeath won’t give you time to get ready in Egypt land <br />\nWell he’ll come to your fields, he won't stay long,<br />\nDeath is killing everything on all fours,<br />\nDeath don't have no mercy in Egypt land.</p>\n\n<p>Death will leave you standing and crying in Egypt land,<br />\nDeath will leave you standing and crying in Egypt land<br />\nHe'll give you boils as darkness drops.<br />\nThen hail and locusts will take your crop,<br />\nDeath will leave you standing and crying in Egypt land.</p>\n\n<p>Death will take your family in Egypt land,<br />\nDeath will take your family in Egypt land,<br />\nCome to your house, he won't stay long,<br />\nPut blood on the door, Or find your oldest gone.<br />\nDeath don't have no mercy in Egypt land.</p>\n\n<p>Death don't have no mercy in Egypt land.<br />\nI said Death don't have no mercy in Egypt land. </p>",
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"handle": "musical-4-questions-redemption-song",
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"covertext": "To start the process of answering \"Why is this night different?\" we begin with a frame for the Seder: these are redempti...",
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"body": "<p> <em>To start the process of answering \"Why is this night different?\" we begin with a frame for the Seder: these are redemption songs that teach us our identity.</em> </p>\n\n<p><strong>Redemption Song</strong><br />\n(Music by Bob Marley; Words Modified by Rabbi Nadav Caine)</p>\n\n<p>Old Midianites, says the Rabbi, Sold Joseph to Egypt<br />\nMinutes after they took him<br />\nFrom the bottomless pit<br />\nBut his hand was made strong By the [outstretched] hand of the Almighty<br />\nWe recount in this generation, triumphantly</p>\n\n<p><br />\nWon't you help to sing these songs of freedom?<br />\n'Cause all we ever have...Redemption songs, Redemption songs</p>\n\n<p>Emancipate from mental slavery, we Jews must free our minds<br />\nHave no fear of being Jewish, don't say you have no time<br />\nHow long shall we ignore our prophets, while they stand aside and look?<br />\nWe'll build a new Jerusalem, We've got to fulfill the Book</p>\n\n<p>Won't you help to sing these songs of freedom?<br />\n'Cause all we ever have...Redemption songs, Redemption songs</p>\n\n<p>Our ancestors survived the Holocaust, pogroms and oppression,<br />\nWe have to stand up for justice, teach the world our lesson.<br />\nHow long shall we ignore our prophets, while they stand aside and look?<br />\nThey tell us what God wants from us, we've got to fulfill the book</p>\n\n<p>Won't you help to sing these songs of freedom?<br />\n'Cause all we ever have...Redemption songs, Redemption songs</p>\n\n<p>Won't you help to sing these songs of freedom?<br />\n'Cause all we ever have...Redemption songs, Redemption songs</p>\n\n<p>These songs of freedom, songs of freedom.</p>",
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"handle": "next-year-matisyahus-jerusalem",
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"covertext": "Jerusalem (Matisyahu, Slow Acoustic Version) Jerusalem, if I forget you, Fire not gonna come from me tongue Jerusalem, i...",
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"body": "<p><strong>Jerusalem (Matisyahu, Slow Acoustic Version)</strong></p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>In the ancient days, we will return with no delay, Picking up the bounty and the spoils on our way<br />\nWe've been traveling from state to state, And them don't understand what they say<br />\nThree thousand years with no place to be, They want me to give up my milk and honey<br />\nDon't you see, it's not about the land or the sea, Not the country but the dwelling of God's majesty</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>Rebuild the temple and the crown of glory, Years gone by, about sixty<br />\nWe were burned in the oven in this century, And the gas tried to choke, but it couldn't choke me</p>\n\n<p>Will not lie down, I will not fall asleep, So they come overseas, yeah they're trying to be free<br />\nErase the demons out of our memory, Change your name and your identity</p>\n\n<p>Afraid of the past and our dark history, Why is everybody always chasing we?<br />\nCut off the roots from your family tree, Don't you know that's not the way to be!</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do!</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>Caught up in these ways, and the worlds gone craze<br />\nDon't you know it's just a phase<br />\nCase of the Simon says<br />\nIf I forget the truth then my words won't penetrate<br />\nBabylon burning in the place, can't see through the haze<br />\nChop down all of them dirty ways,<br />\nThat's the price that you pay for selling lies to the youth<br />\nNo way, not OK, oh no way, not ok, hey<br />\nAin't no one gonna break my stride<br />\nAin't no one gonna pull me down<br />\nOh no, I got to keep on moving</p>\n\n<p>Jerusalem, if I forget you, Fire not gonna come from me tongue<br />\nJerusalem, if I forget you, Let my right hand forget what it's supposed to do</p>\n\n<p>Jerusalem, if I forget you....</p>\n\n<p><strong>לְשָׁנָה הַבָּאָה בִּירוּשָׁלָֽיִם</strong> <em> </em> NEXT YEAR IN JERUSALEM!</p>\n\n<p><strong> </strong> <em>L’shana haba-ah L’shana haba-ah L’shana haba-ah biy’rushalayim! (repeat!)</em> </p>",
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"handle": "birkat-abbreviated",
"title": "Birkat (Abbreviated)",
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"covertext": "Pour the third cup of wine and recite Birkat Hamazon (Blessing after the Meal). שִׁיר הַמַּעֲלוֹת:בְּשׁוּב יהוה אֶת־שִׁ...",
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"body": "<p> <em>Pour the third cup of wine and recite Birkat Hamazon (Blessing after the Meal).</em> </p>\n\n<p>שִׁיר הַמַּעֲלוֹת:בְּשׁוּב יהוה אֶת־שִׁיבַת צִיּוֹן הָיִ֫ינוּ כְּחֹלְמִים. אָז יִמָּלֵא שְׂחוֹק פִּינוּ וּלְשׁוֹנֵנוּ רִנָּה, אָז יֹאמְרוּ בַגּוֹיִם, הִגְדִּיל יְיָ לַעֲשׂוֹת עִם אֵלֶּה. הִגְדִּיל יְיָ לַעֲשׂוֹת עִמָּנוּ, הָיִינוּ שְׂמֵחִים. שׁוּבָה יְיָ אֶת שְׁבִיתֵנוּ, כַּאֲפִיקִים בַּנֶּגֶב. הַזֹּרְעִים בְּדִמְעָה בְּרִנָּה יִקְצֹרוּ. הָלוֹךְ יֵלֵךְ וּבָכֹה נֹשֵׂא מֶשֶׁךְ הַזָּרַע, בֹּא יָבֹא בְרִנָּה נֹשֵׂא אֲלֻמֹּתָיו.</p>\n\n<p>Shir Hama’alot, b’shuv Adonai et shee-vat Tzion, ha-yeenu k’chol meem. Az y’ma-lei s’chok pee-nu u’l-sho-nei-nu reena, az yo-m’ru va-goyim, heeg-deel Adonai la-asot eem eleh. Heeg-deel Adonai la-asot eemanu, ha-yee-nu s’mei-cheem. Shuva Adonai et sh’vee-tei-nu, ka-afee-keem ba-negev. Ha-zor-eem b’deem-ah b’reena yeek-tzo-ru. Ha-loch yei-lech u-va-cho no-sei me-shech hazara, bo yavo v’reena, no-sei alu-mo-tav.</p>\n\n<p>When the Lord returns us from exile back to Zion, it will be as though in a dream. We will laugh and sing with joy. It shall be said around the world: “The Lord has done great things for them.” The Lord did great things for us, and we shall rejoice. God, restore our fortunes. We shall be like streams in the Negev. Those who sow in tears shall reap in joy. Though the farmer bears the measure of seed to the field in sadness, he shall come home with joy, bearing his sheaves.</p>\n\n<p>Leader: רַבּוֹתַי נְבָרֵךְ. Rabotai n’vareich.</p>\n\n<p>Participants: יְהִי שֵׁם יְיָ מְבֹרָךְ מֵעַתָּה וְעַד עוֹלָם. Y’hee sheim Adonai m’vo-rach mei-atah v’ad olam.</p>\n\n<p>Leader: יְהִי שֵׁם יְיָ מְבֹרָךְ מֵעַתָּה וְעַד עוֹלָם. בִּרְשׁוּת מָרָנָן וְרַבָּנָן וְרַבּוֹתַי נְבָרֵך (אֱלֹהֵינוּ) שֶׁאָכַלְנוּ מִשֶּׁלוֹ.</p>\n\n<p>Y’hee sheim Adonai m’vorach mei-atah v’ad olam. 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Praised are you, Adonai, who sustains all.</p>\n\n<p>נוֹדֶה לְךָ יְיָ אֱלֹהֵינוּ עַל שֶׁהִנְחַלְתָּ לַאֲבוֹתֵינוּ אֶרֶץ חֶמְדָּה טוֹבָה וּרְחָבָה, וְעַל שֶׁהוֹצֵאתָנוּ יְיָ אֱלֹהֵינוּ מֵאֶרֶץ מִצְרַיִם וּפְדִיתָנוּ מִבֵּית עֲבָדִים, וְעַל בְּרִיתְךָ שֶׁחָתַמְתָּ בִּבְשָׂרֵנוּ, וְעַל תּוֹרָתְךָ שֶׁלִמַּדְתָּנוּ, וְעַל חֻקֶּיךָ שֶׁהוֹדַעְתָּנוּ, וְעַל חַיִּים חֵן וָחֶסֶד שֶׁחוֹנַנְתָּנוּ, וְעַל אֲכִילַת מָזוֹן שָׁאַתָּה זָן וּמְפַרְנֵס אוֹתָנוּ תָּמִיד בְּכָל יוֹם וּבְכָל עֵת וּבְכָל שָׁעָה.</p>\n\n<p>We thank you, Adonai, Lord our God, for having given a beautiful, good, and spacious land; for having taken us out from the land of Egypt and redeemed us from the house of slavery; for Your covenant which You sealed in our flesh; for Your Torah which You taught us; for the life, grace and kindness You have granted us; and for the food with which You always sustain us.</p>\n\n<p>וְעַל הַכֹּל יְיָ אֱלֹהֵינוּ אֲנַחְנוּ מוֹדִים לָךְ וּמְבָרְכִים אוֹתָךְ יִתְבָּרַךְ שִׁמְךָ בְּפִי כָל חַי תָּמִיד לְעוֹלָם וָעֶד. כַּכָּתוּב, וְאָכַלְתָּ וְשָׂבָעְתָּ וּבֵרַכְתָּ אֶת יְיָ אֱלֹהֶיךָ עַל הָאָרֶץ הַטֹּבָה אֲשֶׁר נָתַן לָךְ. בָּרוּךְ אַתָּה יְיָ, עַל הָאָרֶץ וְעַל הַמָּזוֹן.</p>\n\n<p>וּבְנֵה יְרוּשָׁלַיִם עִיר הַקֹּדֶשׁ בִּמְהֵרָה בְיָמֵינוּ. בָּרוּךְ אַתָּה יְיָ, בּוֹנֵה בְרַחֲמָיו יְרוּשָׁלָיִם. אָמֵן.</p>\n\n<p> <em>Uv’nei Y’rushalayim ir hakodesh bimheira v’yameinu. Baruch atah Adonai, boneh v’rachamav Y’rushalayim. Amein.</em> </p>\n\n<p> <em>The Blessing after the Meal concludes by drinking the Third Cup of wine, while reclining to the left.</em> </p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם בּוֹרֵא פְּרִי הַגָפֶן.</p>\n\n<p> <em>Baruch atah Adonai, Eloheinu melech ha-olam, borei p'ri hagafen.</em> </p>\n\n<p>Praised are you, Adonai, Lord of the universe, who has created the fruit of the vine.</p>",
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"covertext": "Dayenu דַּיֵינוּ - Sing the italicized.. Ilu hotzi hotzi anu, hotzi anu mimitzrayim, hotzi anu mimitzrayim, DAYENU (C...",
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"body": "<p><strong>Hallelujah </strong>by <a>Leonard Cohen</a></p>\n\n<p>Now, I've heard there was a secret chord<br />\nThat David played, and it pleased the Lord<br />\nBut you don't really care for music, do ya?<br />\nIt goes like this, the fourth, the fifth<br />\nThe minor fall, the major lift<br />\nThe baffled king composing hallelujah</p>\n\n<p>Halleluyah, Halleluyah, Halleluyah, Halleluyah, </p>\n\n<p>Your faith was strong but you needed proof<br />\nYou saw her bathing on the roof<br />\nHer beauty and the moonlight overthrew ya<br />\nShe tied you to a kitchen chair<br />\nShe broke your throne, and she cut your hair<br />\nAnd from your lips she drew the hallelujah</p>\n\n<p>Halleluyah, Halleluyah, Halleluyah, Halleluyah, </p>\n\n<p>You say I took the name in vain<br />\nI don't even know the name<br />\nBut if I did, well really, what's it to ya?<br />\nThere's a blaze of light in every word<br />\nIt doesn't matter which you heard<br />\nThe holy or the broken hallelujah</p>\n\n<p>Halleluyah, Halleluyah, Halleluyah, Halleluyah, </p>\n\n<p>I did my best, it wasn't much<br />\nI couldn't feel, so I tried to touch<br />\nI've told the truth, I didn't come to fool ya<br />\nAnd even though it all went wrong<br />\nI'll stand before the lord of song<br />\nWith nothing on my tongue but hallelujah,</p>\n\n<p>Halleluyah, Halleluyah, Halleluyah, Halleluyah, <br />\nHalleluyah, Halleluyah, Halleluyah, Halleluyah, <br />\nHalleluyah, Halleluyah, Halleluyah, Halleluyah </p>",
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"covertext": "When doing the Seder on a night that is not the beginning or end of Pesach, recite only: בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מ...",
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"body": "<p>When doing the Seder on a night that is not the beginning or end of Pesach, recite only:</p>\n\n<p><strong>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם בּוֹרֵא פְּרִי הַגָפֶן</strong></p>\n\n<p><em>Baruch atah Adonai, Eloheinu melech ha’olam, borei p'ri hagafen.</em></p>\n",
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"covertext": "(This has worked amazingly well at every Seder I've ever done, since it was first taught to me by Prof. Ron Wolfson.) Pr...",
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"body": "<p>(This has worked amazingly well at every Seder I've ever done, since it was first taught to me by Prof. Ron Wolfson.)</p>\n\n<p>Preparation Before the Seder: Decide <u>ahead of time</u> where the Afikomen will be hidden. Choose a location <em>outside of the search zone</em>. (E.g. \"refrigerator\".) Make sure the name of the location is not too short: you want a long name like \"Refrigerator\" or \"File Cabinet\" or \"Linen Closet\" so that the number of letters is almost the same as the expected number of participants.) Take a deck of identical index cards, and on each one write a single letter of the location. (E.g. On one write \"R\" and on one write \"E\" and on one write \"F\" and keep going.) Make sure for letters like \"p\" and \"b\" that you indicate what is the top and what is the bottom so there's no confusion as to what letter it is. Keep a blank index card in your pocket. Pick a search zone. (E.g. living room, den and bathroom.) Hide each index card somewhere in the search zone. Make sure to make some kid-friendly for finding.</p>\n\n<p>At the Seder: Quietly disappear at some point and hide the Afikomen in the previously decided location. Make sure it's outside the search zone and that no one will accidentally find it.</p>\n\n<p>Instructions to Participants: Show the hunt participants the blank index card from your pocket, and explain that you've hidden these cards, with a letter on each, in the search zone. Make sure to tell them exactly how many there are! (So in our example, R-E-F-R-I-G-E-R-A-T-O-R, it will be 12. For a location like \"File Cabinet,\" it's 11.) <strong>If they find a card, they are to return to you and put the card on the floor and start trying to spell out the name of the location. It's one card maximum per person, so they may not return to the search zone to find more.</strong> (This way even the youngest children can get a chance to find one.)</p>\n\n<p>During the Hunt: As hunters return with cards, they all together try to spell out the name using the cards. It's a team cooperative activity. (You may have to go help, with hints, the last ones unable to find a card find the final remaining cards.) Once they spell out the name correctly (you may have to give hints, like \"it's two words: the first starts with F and the second starts with C...\"), they can go fetch the afikomen. At that point, be prepared to give ALL of them a prize. I have successfully used glow necklaces, chocolate covered matzah, or individually wrapped, small fair-trade KP chocolates.</p>\n\n<p>Divide up the Afikomen and everyone eats a bite!</p>\n",
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"body": "<p><strong>I Felt It Through The Pesach Wine</strong></p>\n\n<p>(Music: I Heard it through the Grapevine; altered lyrics by Neil Alexander parentheses indicate background voices)</p>\n\n<p>Ooh, I bet you're wondrin' how I knew, the four questions and the answer, too.<br />\nI can't believe all the matzah I bought, for the next few days, my bowels won't move a lot.<br />\nIt took me by surprise, I must say (I must say). The seder lasted till the very next day (very next day).<br />\nDon't you know, I felt it through the pesach wine. My body's startin' to recline.<br />\nOoh, you drink four cups of wine. And I'm just about to lose my mind! Honey, honey, yeh.<br />\n(Can you tell me how much longer till we eat the matzah, yeh, yeh, yeh, yeh) x2<br />\nI know you wash and then you dip the chive. Hide the Afikoman, give the kids some jive.<br />\nThat poor Pharaoh, he don't care. Got frogs and vermin in his underwear!<br />\nYou could have told me about the chrain (about the chrain), made me gag but now my sinuses drain (sinuses drain).<br />\nDon't you know, I felt it through the Pesach wine. I'm gettin farshikert before its time.<br />\nOoh, you drink full cups of wine. And I'm just about to lose my mind! Honey, honey, yeh.<br />\n(Can you tell me how much longer till we eat our dinner, yeh, yeh, yeh, yeh) x 2<br />\nPeople say your charoset is sure lookin' fine. And Janice, your soup is simply divine!<br />\nBut my kmish bread's crusty and old, my matzo ball's sinking to the bottom of the bowl.<br />\nDo you plan to bench and bench and sing (bench and sing), or ya gonna blow off everything (everything)!<br />\nInstead, I felt it through the pesach wine. I'm gettin' sleepy but I'm feelin' fine <br />\nOoh, I've had 4 cups of wine. and I'm just about to lose my mind! Honey, honey, yeh.....<br />\n(Can you tell me how much longer till we see Elijah, yeh, yeh, yeh, yeh)<br />\n(Can you tell me how much longer till we daven Hallel, yeh, yeh, yeh, yeh)<br />\n(Can you tell me how much longer till we sing Chad Gadya, yeh, yeh, yeh, yeh)<br />\nHoney, honey, I know....that it's going too slow...<br />\n[unison at end] So I felt it thru the pesach wine.</p>",
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"handle": "hallel-b-tseit-yisrael",
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"covertext": "Betzeit yisrael mimitzrayim, בְּצֵאת יִשְׂרָאֵל מִמִּצְרָיִם beit Ya'akov meam loez. בֵּית יַעֲקֹב מֵעַם לֹעֵז. Be...",
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"body": "<p>Betzeit yisrael mimitzrayim, בְּצֵאת יִשְׂרָאֵל מִמִּצְרָיִם<br />\nbeit Ya'akov meam loez. בֵּית יַעֲקֹב מֵעַם לֹעֵז.</p>\n\n<p>Betzeit yisrael mimitzrayim, בְּצֵאת יִשְׂרָאֵל מִמִּצְרָיִם<br />\nbeit Ya'akov meam loez. בֵּית יַעֲקֹב מֵעַם לֹעֵז.<br />\nHaytah (haytah) yehudah lekodsho הָיְתָה יְהוּדָה לְקָדְשׁוֹ<br />\nYisrael mamshelotav. יִשְׂרָאֵל מַמְשְׁלוֹתָיו.</p>\n\n<p>Hayam (hayam) ra'ah vayanos, הַיָּם רָאָה וַיָּנֹס<br />\nhayarden yisov leachor. הַיַּרְדֵּן יִסֹּב לְאָחוֹר.<br />\nHeharim rakedu cheilim, הֶהָרִים רָקְדוּ כְאֵילִים<br />\ngevaot kivnei tzon. גְּבָעוֹת כִּבְנֵי צֹאן.</p>\n\n<p>Mah lecha hayam (mah lecha hayam) ki tanus (ki tanus), מַה לְּךָ הַיָּם כִּי תָנוּס<br />\nhayarden (hayarden) tisov leachor (lisov leachor). הַיַּרְדֵּן תִּסֹּב לְאָחוֹר.<br />\nHeharim (heharim) tirkedu cheilim (tirkedu cheilim), הֶהָרִים תִּרְקְדוּ כְאֵילִים<br />\ngevaot (gevaot) kivnei tzon (kivnei tzon). גְּבָעוֹת כִּבְנֵי צֹאן.</p>\n\n<p>Milifnei adon (milifnei adon) chuli aretz (chuli aretz), מִלִּפְנֵי אָדוֹן חוּלִי אָרֶץ<br />\nMlifnei (milifnei) eloah ya'akov (eloah ya'akov). מִלִּפְנֵי אֱלוֹהַּ יַעֲקֹב.<br />\nHahofechi hatzur (hahofechi hatzur) agam mayim (agam mayim), הַהֹפְכִי הַצּוּר אֲגַם מָיִם<br />\nChalamish (chalamish) lemayeno mayim (lemayeno mayim). חַלָּמִישׁ לְמַעְיְנוֹ מָיִם.</p>\n\n<p>When Israel came forth out of Egypt, the house of Jacob from a people of strange language;<br />\nJudah became God's sanctuary, Israel God's dominion.<br />\nThe sea saw it, and fled; the Jordan turned backward.<br />\nThe mountains skipped like rams, the hills like young sheep.<br />\nWhat has come upon you, the sea, that you flee? The Jordan, that you turn backward?<br />\nThe mountains, that you skip like rams; the hills, like young sheep?<br />\nTremble, earth, at the presence of the Master, at the presence of the God of Jacob;<br />\nWho turned the rock into a pool of water, the flint into a fountain of waters.</p>",
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"covertext": "What is different about this night? On this night, we're going to reflect on our story of freedom through music. We'll...",
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"body": "<p>What is different about this night? On this night, we're going to reflect on our story of freedom through music. We'll go back and forth from the ritual actions of Four Questions, Motzi, Maror, 10 Drops, and so on, to and from listening to our story and its meaning through musical expression. In so doing, our job is to <em>experience</em> the seder in a different way, not as reading, not as discussion, but as the expression of the heart. It's one thing to hold a piece of matzah and say, \"This is the bread of the poor person\" justaposed with \"this karpas is a luxurious appetizer,\" and it's quite another thing to hear this juxtapostion through the music of Iowa songwriter legend Greg Brown's \"Whodu Thunk It?\" which is a plaintive song about how the \"living with just enough\" attitude [the simple matzah was enough] of our youth gives way to our taking-for-granted bourgeois middle-class ways of good wine and nice homes. Instead of reading these sections, we experience the meaning of their juxtaposition. Or we answer the child's question of why we're doing this by rehearsing artists like Bob Marley who embraced the Exodus narrative by saying, \"Because all we ever have are these Redemption songs.\" </p>\n\n<p>So take the musical journey with us, and open your hearts to the Musical Experience of the Haggadah.</p>",
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"handle": "elijah-s-and-miriam-s-cups",
"title": "Elijah's and Miriam's Cups",
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"covertext": "THE CUPS OF ELIYAHU AND MIRIAM Fill the Cup of Elijah on the table with wine and the Cup of Miriam with water. Traditio...",
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"body": "<p><b>THE CUPS OF ELIYAHU AND MIRIAM</b></p>\n\n<p> <em>Fill the Cup of Elijah on the table with wine and the Cup of Miriam with water. Traditionally the youngest children open the door for Elijah. Everyone joins in singing \"Eliyahu Ha-Navi\" and then the door is closed.</em> </p>\n\n<p>Eliyahu Ha-navee, Eliyahu Ha-tish-bee, Eliyahu, Eliyahu, Eliyahu Ha-giladee</p>\n\n<p>Bim Heira B’yameinu Yavo eileinu, Eem mashiah ben David, Eem mashiah ben David</p>\n\n<p>Eliyahu Ha-navee, Eliyahu Ha-tish-bee, Eliyahu, Eliyahu, Eliyahu Ha-giladee</p>",
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"covertext": "The Fourth Cup of Wine בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם בּוֹרֵא פְּרִי הַגָפֶן. Baruch Atah Adonai Elohein...",
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"body": "<p><strong>The Fourth Cup of Wine</strong></p>\n\n<p>בָּרוּךְ אַתָּה יי אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם בּוֹרֵא פְּרִי הַגָפֶן.</p>\n\n<p> <em>Baruch Atah Adonai Eloheinu Melech ha’olam, borei p’ri hagafen.</em> </p>",
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Pharaoh! Pharaoh! (To the Tune of "Louie Louie")
Haggadah Section: -- Exodus Story
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