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"covertext": "When Israel was in Egypt’s land, Let My people go; Oppressed so hard they could not stand, Let My people go; Go down, Mo...",
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"body": "<p>When Israel was in Egypt’s land, Let My people go;<br />\nOppressed so hard they could not stand, Let My people go;<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n\n<p>The Lord told Moses what to do, Let My people go;<br />\nTo lead the children of Israel through, Let My people go.<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n\n<p>The pillar of cloud shall clear the way, Let My people go;<br />\nA fire by night, a shade by day, Let My people go.<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n\n<p>Come, Moses, you'll not be lost, Let My people go;<br />\nstretch out your rod and come across, Let My people go.<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n\n<p>As Israel stood by the water-side, Let My people go;<br />\nAt God’s command it did divide, Let My people go.<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n\n<p>When they had reached the other shore, Let My people go;<br />\nThey dang the song of triumph over, Let My people go.<br />\nGo down, Moses, way down in Egypt’s land,<br />\nTell old Pharaoh: Let My people go.</p>\n",
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"covertext": "One little goat, one little goat. That Father bought for two zuzim, Chad gadya, chad gadya. Then came...",
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"body": "<p>One little goat, one little goat.<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came a cat<br />\nand ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came a dog<br />\nand bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came a stick<br />\nand beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came fire<br />\nand burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came water<br />\nand quenched the fire,<br />\nthat burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came the ox<br />\nand drank the water,<br />\nthat quenched the fire,<br />\nthat burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya</em>. </p>\n\n<p>Then came the slaughterer<br />\nand slaughtered the ox,<br />\nthat drank the water,<br />\nthat quenched the fire,<br />\nthat burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came the Angel of Death<br />\nand killed the slaughterer,<br />\nthat slaughtered the ox,<br />\nthat drank the water,<br />\nthat quenched the fire,<br />\nthat burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n\n<p>Then came the Holy One, Blessed be He<br />\nand slew the the Angel of Death,<br />\nthat killed the slaughterer,<br />\nthat slaughtered the ox,<br />\nthat drank the water,<br />\nthat quenched the fire,<br />\nthat burnt the stick,<br />\nthat beat the dog,<br />\nthat bit the cat,<br />\nthat ate the goat,<br />\nThat Father bought for two zuzim,<br />\n <em>Chad gadya, chad gadya.</em> </p>\n",
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"covertext": "The ritual of Miriam’s Cup has emerged as another way to honor women during the seder. Miriam’s Cup builds upon the mess...",
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"body": "<p>The ritual of Miriam’s Cup has emerged as another way to honor women during the seder. Miriam’s Cup builds upon the message of the orange, transforming the seder into an empowering and inclusive experience. Although Miriam, a prophet and the sister of Moses, is never mentioned in the traditional Haggadah text, she is one of the central figures in the Exodus story.</p>\n\n<p>Miriam has long been associated with water. The rabbis attribute to Miriam the miraculous well that traveled with the Israelites throughout their wandering in the desert that ensured their survival. In the Book of Numbers, the well dries up immediately following Miriam’s death. Of course, water played a role in Miriam’s life from the first time we meet her, watching over the infant Moses on the Nile, through her triumphant crossing of the Red Sea.</p>\n\n<p>Raise Miriam’s empty goblet and say:</p>\n\n<p> <em>Miriam's cup is filled with water, rather than wine. I invite women and men of all generations at our Seder table to fill Miriam's cup with water from their own glasses.</em> </p>\n\n<p>Pass Miriam's cup around the table and have everyone fill it with a little water from his or her own cup.</p>\n\n<p>Like Miriam, Jewish women in all generations have been essential for the continuity of our people. As keepers of traditions in the home, women passed down songs and stories, rituals and recipes, from mother to daughter, from generation to generation. Let us each fill the cup of Miriam with water from our own glasses, so that our daughters may continue to draw from the strength and wisdom of our heritage.</p>\n\n<p>When Miriam's cup is filled, raise the goblet and say:</p>\n\n<p> <em>We place Miriam's cup on our Seder table to honor the important role of Jewish women in our tradition and history, whose stories have been too sparingly told.</em> </p>\n\n\n",
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"handle": "orange-seder-plate-18",
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"covertext": "The Real Story In the early 1980s, the Hillel Foundation invited me to speak on a panel at Oberlin College. While on c...",
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"body": "\n\n<p> <em><strong>The Real Story </strong></em> </p>\n\n<p>In the early 1980s, the Hillel Foundation invited me to speak on a panel at Oberlin College. While on campus, I came across a Haggada that had been written by some Oberlin students to express feminist concerns. One ritual they devised was placing a crust of bread on the Seder plate, as a sign of solidarity with Jewish lesbians (\"there's as much room for a lesbian in Judaism as there is for a crust of bread on the Seder plate\").</p>\n\n<p>At the next Passover, I placed an orange on our family's Seder plate. During the first part of the Seder, I asked everyone to take a segment of the orange, make the blessing over fruit, and eat it as a gesture of solidarity with Jewish lesbians and gay men, and others who are marginalized within the Jewish community (I mentioned widows in particular).</p>\n\n<p>Bread on the Seder plate brings an end to Pesach - it renders everything <em>chametz...\"</em> leavened.\" And its symbolism suggests that being lesbian is being transgressive, violating Judaism. I felt that an orange was suggestive of something else: the fruitfulness for all Jews when lesbians and gay men are contributing and active members of Jewish life. In addition, each orange segment had a few seeds that had to be spit out - a gesture of spitting out, repudiating the homophobia that poisons too many Jews.</p>\n\n<p>When lecturing, I often mentioned my custom as one of many new feminist rituals that had been developed in the last twenty years. Somehow, though, the typical patriarchal maneuver occurred: My idea of an orange and my intention of affirming lesbians and gay men were transformed. Now the story circulates that a MAN stood up after I lecture I delivered and said to me, in anger, that a woman belongs on the <em>bimah </em> \"pulpit\" as much as an orange on the Seder plate.</p>\n\n<p>My idea, a woman's words, are attributed to a man, and the affirmation of lesbians and gay men is simply erased. Isn't that precisely what's happened over the centuries to women's ideas?</p>\n\n<p>Susannah Heschel, April, 2001</p>\n",
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"handle": "let-us-go-5",
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"covertext": "(sung loosely to the tune of Let it Go) The sand burns hot in the desert tonight The foot prints of my people can be se...",
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"body": "<p> <em>(sung loosely to the tune of Let it Go)</em> </p>\n\n\n\n<p>The sand burns hot in the desert tonight</p>\n\n<p>The foot prints of my people can be seen</p>\n\n<p>A kingdom of subjugation under Pharaoh who is mean</p>\n\n<p>Our people built his temples and pyramids to the sky</p>\n\n<p>Oh dear lord hear our people’s cry...</p>\n\n<p>Let us go, let us go</p>\n\n<p>Can’t hold us back any more</p>\n\n<p>Let us go, let us go.</p>\n\n<p>Find someone else to do your chores</p>\n\n<p>Elohim, adoni hear us pray,</p>\n\n<p>Lets pack our things</p>\n\n<p>The desert never bothered us anyway</p>\n\n<p>It’s funny how some distance</p>\n\n<p>makes Egyptians all seems small and the masters that controlled us can’t get to us at all</p>\n\n<p>It’s time to see what we can do</p>\n\n<p>The power of a people who’ve broken through</p>\n\n<p>Torah v emet the laws for me.</p>\n\n<p>We’re free.</p>\n\n<p>Let us go, let us go.</p>\n\n<p>We are one with the lord</p>\n\n<p>Let us go, let us go.</p>\n\n<p>We hope this Seder didn’t make you bored</p>\n\n<p>So here we’ll sit and here we’ll stay</p>\n\n<p>Let the Seder go on</p>\n\n<p>The Maror never bothers me anyway...</p>\n\n\n\n<p>by Hillary Goldberg</p>\n",
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"covertext": "to the tune of “Hey Jude” Hey, Jews, don’t be afraid. You were made to Escape Mitzrayim. In Sinai, the Lord will help...",
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"body": "<p><strong> <em>to the tune of “Hey Jude” </em> </strong></p>\n\n<p>Hey, Jews, don’t be afraid.</p>\n\n<p>You were made to Escape Mitzrayim.</p>\n\n<p>In Sinai, the Lord will help you to live</p>\n\n<p>And He will give you all some mayim.</p>\n\n<p>Hey, Jews, it’s time to start.</p>\n\n<p>God will part all The Red Sea waters.</p>\n\n<p>Remember, pack matzah and be real brave.</p>\n\n<p>God’s gonna save your sons and daughters.</p>\n\n<p>The Lord will free you from your pain,</p>\n\n<p>The whip, the chain. Have faith,</p>\n\n<p>and you’ll all be happy later.</p>\n\n<p>Hey, Jews, your tales from days of old will all be told</p>\n\n<p>By all your descendants at their seder.</p>\n\n<p>Da da da da da Da da da da.</p>\n\n<p>Hey, Jews, don’t be afraid.</p>\n\n<p>You were made to</p>\n\n<p>Escape Mitzrayim. I</p>\n\n<p>n Sinai, the Lord will help you to live</p>\n\n<p>And He will give you all some mayim</p>\n\n<p>Mayim, mayim, mayim, mayim, mayim, mayim, wooow!</p>\n\n<p>Da da da da da da da Da da da da</p>\n\n<p>Hey, Jews</p>\n\n<p>Etc.</p>\n",
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"covertext": "to the tune of “All That Jazz” Come on, babe, it’s time to say a prayer WITH ALL THESE JEWS. Grab some matzah, lean ba...",
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"body": "<p> <em>to the tune of “All That Jazz” </em> </p>\n\n<p>Come on, babe, it’s time to say a prayer</p>\n\n<p>WITH ALL THESE JEWS.</p>\n\n<p>Grab some matzah, lean back in your chair</p>\n\n<p>WITH ALL THESE JEWS.</p>\n\n<p>Tell a story from the days of old</p>\n\n<p>When our people could be bought and sold.</p>\n\n<p>Just sit back and let the tale be told</p>\n\n<p>WITH ALL THESE JEWS.</p>\n\n<p>God said, “Moses, take a look around.</p>\n\n<p>AT ALL THESE JEWS.</p>\n\n<p>Go tell Pharaoh that it’s way past time</p>\n\n<p>TO FREE THESE JEWS.”</p>\n\n<p>God showed Moses what he had to do,</p>\n\n<p>Helped the Jews tell Pharaoh “Toodleoo.”</p>\n\n<p>So tonight we’re singing Dayenu</p>\n\n<p>WITH ALL</p>\n\n<p>THESE</p>\n\n<p>JEWS.</p>\n",
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"covertext": "to the tune of “Fifty Ways to Leave Your Lover” We build the pyramids. We live in pain and fear. We’re beaten and we’re...",
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"body": "<p> <em>to the tune of “Fifty Ways to Leave Your Lover”</em> </p>\n\n<p>We build the pyramids. We live in pain and fear.</p>\n\n<p>We’re beaten and we’re bullied by the brutal overseer.</p>\n\n<p>So Moses, can you help us, cause we really need to hear</p>\n\n<p>About the Fifty Ways to Leave Mitzrayim.</p>\n\n<p>Fifty Ways to Leave Mitzrayim.</p>\n\n<p>So Moses said, I’ve seen the way a bush can burn.</p>\n\n<p>And Adonai has told me that the Jews are my concern.</p>\n\n<p>So if you listen closely, I believe that you will learn</p>\n\n<p>About the Fifty Ways to Leave Mitzrayim.</p>\n\n<p>Fifty Ways to Leave Mitzrayim.</p>\n\n<p>(Chorus)</p>\n\n<p>Don’t move a brick, Rick,</p>\n\n<p>Make sure to pray, Ray,</p>\n\n<p>Bring on a plague, Gregg,</p>\n\n<p>Listen to me.</p>\n\n<p>Leave in the night, Dwight,</p>\n\n<p>Don’t wait for the bread, Ned,</p>\n\n<p>Cross the Red Sea, Lee,</p>\n\n<p>And get yourself free.</p>\n\n<p>Moses continued, We can flee our evil foe.</p>\n\n<p>And Adonai will lead us to the land where we can go.</p>\n\n<p>So pack your matzah quickly if you really want to know</p>\n\n<p>About the Fifty Ways to Leave Mitzrayim.</p>\n\n<p>Fifty Ways to Leave Mitzrayim.</p>\n\n<p>(Chorus)</p>\n\n<p>Don’t move a brick, Rick,</p>\n\n<p>Make sure to pray, Ray,</p>\n\n<p>Bring on a plague, Gregg,</p>\n\n<p>Listen to me.</p>\n\n<p>Leave in the night, Dwight,</p>\n\n<p>Don’t wait for the bread, Ned,</p>\n\n<p>Cross the Red Sea, Lee,</p>\n\n<p>And get yourself free.</p>\n",
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"body": "<p>The Hebrew word \"Haggadah\" means \"The Telling.\" It is through the stories that we tell that we build our understanding of the world, of who we are, of the nature of Truth. The very identities that each of us hold as \"ourselves\" are really a collection of personal stories that we believe about ourselves. Through the experience of Pesach, we add to our personal narrative, the story of the redemption of our people. We hold in our deepest heart of hearts the Truth that the miracle of Redemption from suffering is possible for each and every one of us, because it happened to us—to \"me\"—in Egypt all those years ago.</p>",
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"covertext": "i Thank You God for most this amazing by e.e. cummings i thank You God for most this amazing day: for the leaping green...",
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"body": "\n\n<p><strong>i Thank You God for most this amazing </strong></p>\n\n<p>by e.e. cummings</p>\n\n\n\n<p>i thank You God for most this amazing</p>\n\n<p>day: for the leaping greenly spirits of trees</p>\n\n<p>and a blue true dream of sky; and for everything</p>\n\n<p>which is natural which is infinite which is yes</p>\n\n\n\n<p>(i who have died am alive again today,</p>\n\n<p>and this is the sun's birthday; this is the birth</p>\n\n<p>day of life and of love and wings: and of the gay</p>\n\n<p>great happening illimitably earth)</p>\n\n\n\n<p>how should tasting touching hearing seeing</p>\n\n<p>breathing any--lifted from the no</p>\n\n<p>of all nothing--human merely being</p>\n\n<p>doubt unimaginable You?</p>\n\n\n\n<p>(now the ears of my ears awake and</p>\n\n<p>now the eyes of my eyes are opened)</p>\n\n\n\n\n",
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"handle": "sing-out-louise-hallel",
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"covertext": "Singing songs of praise for God | hallel | הַלֵּל Some sing traditional prayers from the Book of Psalms. Others, favorit...",
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"body": "<p>Singing songs of praise for God | hallel | הַלֵּל</p>\n\n<p>Some sing traditional prayers from the Book of Psalms. Others, favorites like Chad Gadya and Who Knows One. Or, songs from the civil rights movement to celebrate freedom. Or maybe parody lyrics about Passover set to the tunes from a musical. We’re at least three glasses of wine in, about to be four…roll with it.</p>\n\n<p>Fourth Glass</p>\n\n<p>As we come to the end of the seder, we drink one more glass of wine.</p>\n\n<p>With this final cup, we give thanks for the experience of celebrating Passover together, for the traditions that help inform our daily lives and guide our actions and aspirations.</p>\n\n<p>בָּרוּךְ אַתָּה יְיָ, אֱלֹהֵינוּ מֶלֶךְ הָעוֹלָם, בּוֹרֵא פְּרִי הַגָּפֶן:</p>\n\n<p>Baruch Atah Adonai, Eloheinu Melech ha-olam, borei p’ree hagafen.</p>\n\n<p>We praise God, Ruler of Everything, who creates the fruit of the vine.</p>\n\n\n\n<p>DRINK!</p>\n\n<p>and...</p>\n\n<p>SING!</p>\n",
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"covertext": "(Tevye) \"Here's to our prosperity. Our good health and happiness. And most important,\" To life, to life, l'chaim (Tevye...",
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"body": "<p>(Tevye)<br />\n\"Here's to our prosperity. Our good health and happiness. And most important,\"<br />\n<br />\nTo life, to life, l'chaim<br />\n<br />\n(Tevye & Lazar)<br />\nL'chaim, l'chaim, to life<br />\n<br />\n(Tevye)<br />\nHere's to the father I've tried to be<br />\n<br />\n(Lazar)<br />\nHere's to my bride to be<br />\n<br />\n(Both)<br />\nDrink, l'chaim, to life, to life, l'chaim<br />\nL'chaim, l'chaim, to life<br />\n<br />\n(Tevye)<br />\nLife has a way of confusing us<br />\n<br />\n(Lazar)<br />\nBlessing and bruising us<br />\n<br />\n(Both)<br />\nDrink, l'chaim, to life<br />\n<br />\n(Tevye)<br />\nGod would like us to be joyful<br />\nEven when our hearts lie panting on the floor<br />\n<br />\n(Lazar)<br />\nHow much more can we be joyful<br />\nWhen there's really something<br />\nTo be joyful for<br />\n<br />\n(Both)<br />\nTo life, to life, l'chaim<br />\n<br />\n(Tevye)<br />\nTo Tzeitel, my daughter<br />\n<br />\n(Lazar)<br />\nMy wife<br />\nIt gives you something to think about<br />\n<br />\n(Tevye)<br />\nSomething to drink about<br />\n<br />\n(Both)<br />\nDrink, l'chaim, to life<br />\n<br />\n(Lazar - spoken)<br />\n\"Reb Mordcha.\"<br />\n<br />\n(Mordcha - spoken)<br />\n\"Yes, Lazar Wolf.\"<br />\n<br />\n(Lazar - spoken)<br />\n\"Drinks for everybody.\"<br />\n<br />\n(Mendel - spoken)<br />\n\"What's the occasion?\"<br />\n<br />\n(Lazar - spoken)<br />\n\"I'm taking myself a bride.\"<br />\n<br />\n(All - spoken)<br />\n\"Who? ... Who?\"<br />\n<br />\n(Lazar - spoken)<br />\n\"Tevye's eldest, Tzeitel.\"<br />\n<br />\n(All - spoken)<br />\n\"Mazeltove... wonderful... congratulations.\"<br />\n<br />\n(All - sung)<br />\nTo Lazar Wolf<br />\n<br />\n(Tevye)<br />\nTo Tevye<br />\n<br />\n(All)<br />\nTo Tzeitel, your daughter<br />\n<br />\n(Lazar)<br />\nMy wife<br />\n<br />\n(All)<br />\nMay all your futures be pleasant ones<br />\nNot like our present ones<br />\nDrink, l'chaim, to life<br />\nTo life, l'chaim<br />\nL'chaim, l'chaim, to life<br />\nIt takes a wedding to make us say<br />\nLet's live another day<br />\nDrink, l'chaim, to life<br />\n<br />\nWe'll raise a glass and sip a drop of schnapps<br />\nIn honor of the great good luck<br />\nThat favored you<br />\n<br />\nWe know that<br />\nWhen good fortune favors two such men<br />\nIt stands to reason we deserve it too<br />\nTo us and our good fortune<br />\nBe happy, be healthy, long life<br />\nAnd if our good fortune never comes<br />\nHere's to whatever comes<br />\nDrink, l'chaim, to life<br />\n<br />\nDai-dai-dai-dai-dai-dai-dai<br />\nDai-dai-dai-dai-dai-dai-dai<br />\nDai-dai-dai-dai-dai-dai-dai<br />\nDai-dai-dai-dai-dai-dai-dai<br />\n<br />\n(Russian)<br />\nZachava zdarovia<br />\nHeaven bless you both nazdrovia<br />\nTo your health and may we live together in peace<br />\n<br />\nZachava zdarovia<br />\nHeaven bless you both nazdrovia<br />\nTo your health and may we live together in peace<br />\n<br />\nMay you both be favored with the future of your choice<br />\nMay you live to see a thousand reasons to rejoice<br />\n<br />\n(Other Russians)<br />\nZachava zdarovia<br />\nHeaven bless you both nazdrovia<br />\nTo your health and may we live together in peace<br />\n<br />\n(There is an instrumental bridge here wherein the choreography encompasses the \"bottle dance\" featured in this number that<br />\nis performed by the \"Russian\" characters.)<br />\n<br />\nWe'll raise a glass and sip a drop of schnapps<br />\nIn honor of the great good luck<br />\nThat favored you<br />\n<br />\nWe know that<br />\nWhen good fortune favors two such men<br />\nIt stands to reason we deserve it too<br />\nTo us and our good fortune<br />\nBe happy, be healthy, long life<br />\nAnd if our good fortune never comes<br />\nHere's to whatever comes<br />\nDrink, l'chaim, to life<br />\n<br />\n(Tevye)<br />\nTo life!</p>\n",
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"handle": "wont-you-celebrate-with-me",
"title": "won't you celebrate with me",
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"covertext": "won’t you celebrate with me BY LUCILLE CLIFTONwon't you celebrate with mewhat i have shaped intoa kind of life? i had no...",
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"body": "<p>won’t you celebrate with me </p><p><br /></p><p><span>BY </span><a href=\"https://www.poetryfoundation.org/poets/lucille-clifton\">LUCILLE CLIFTON</a></p><p><br /></p><p>won't you celebrate with me</p><p>what i have shaped into</p><p>a kind of life? i had no model.</p><p>born in <span>babylon</span></p><p>both nonwhite and woman</p><p>what did i see to be except myself?</p><p>i made it up</p><p>here on this bridge <span>between</span></p><p><span>starshine and clay,</span></p><p>my one hand holding tight</p><p>my other hand; come celebrate</p><p>with me that everyday</p><p>something has tried to kill me</p><p>and has failed.</p><p><br /></p>",
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Beyonceder: Drank
Haggadah Section: Bareich
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