Four Questions in Italian
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Four Questions in Italian
Perché è diversa questa sera da tutte le altre?
1) Perché tutte le sere non intingiamo neppure una volta questa sera lo facciamo due volte?
2) Perché tutte le sere noi mangiamochamètz e matzà questa sera soltanto matzà?
3) Perché tutte le sere noi mangiamo qualsiasi verdura questa sera maròr?
4) Perché tutte le sere noi mangiamo e beviamo sia seduti e sia adagiati, ma questa sera siamo tutti adagiati?
The answers to the first three questions are drawn from Michelle Alexander’s groundbreaking book, The New Jim Crow: Mass Incarceration in the Age of Colorblindness (2010). Excerpts are cited with “NJC” and the page number.
Why does America have the highest incarceration rate of any developed nation in the world?
Many factors have increased...
Our sages took some pains to ensure a Jewish calendar in which Pesach would always fall in the spring. (They were operating in a northern hemisphere context; I don’t think the challenges of antipodean Judaism ever occurred to them.) In the northern hemisphere, Pesach is inextricably connected with spring.
As the earth shakes off the constrictions of winter, her frozen places thawing, so we remember our...
Is matzo poor man's bread or the food of free men? Can it be both? If we regard it as theBread of Affliction why did we carry dough on our backs out of Egypt, to let it bake inthe hot sun without leavening and rising? Can one Matzo be both a symbol ofwretchedness and deliverance?
Matzo is a paradox.
Not only is it so, but in breaking the middle matzo we also break with symmetry. There...
Passover combines the celebration of an event from Jewish memory with a recognition of the cycles of nature. As we remember the liberation from Egypt, we also recognize the stirrings of spring and rebirth happening in the world around us. The symbols on our table bring together elements of both kinds of celebration.
We now take a vegetable, in this case parsely, to represent our joy at the dawning of spring after...
Scene 1: In the Desert Moses is galloping (skipping on foot while clopping coconuts together to sound like hoofbeats) across the desert. He comes to a burning bush.
Bush: Halt! Who goes there!
Moses: A shrubbery! A talking shrubbery! One that looks nice, but is not too expensive. It is a good shrubbery. I like the laurels...
Every year at the end of the Seder we say "Next Year in Jerusalem!"
But that can't mean physically. It would get overcrowded. Some of us do not have the means to get there. Some of us are too old or young or sick to travel.
No. Not physically. Mentally. We need to open our minds and hearts to a level where we can accept who we are as people on every level. These traditions we have were around for thousands...
Traditionally, The Four Sons/Daughters include a wise one, a wicked (or rebellious) one, a simple one and one who does not even know enough to ask. Each of the first three ask questions about the Seder, essentially "Explain all this to me - what are my responsibilities?" "What has all this nonsense you are babbling about got to do with me?" and "What IS all this anyway?" while the fourth is silent - requiring the adults...
The Wicked Child
I read the haggadah backwards this year
The sea opens,
the ancient Israelites slide back to Egypt
like Michael Jackson doing the moonwalk
Freedom to slavery
That’s the real story
One minute you’re dancing hallelujah,
shaking your hips to the j-j-jangle of the prophetesses’ tambourines,
the next you’re knee deep in brown...
We begin our Seder by calling to mind the efforts of those everywhere who celebrate the Passover by searching for its meaning in their lives.
In our house, we're marrying multiple traditions, genetic lines, and ways of being. It's through rituals like this that we hope to form the strands of our life into a family that's woven together for all the time we can know. We're ecstatic you can join us for Octavio...
Here is a kid and adult friendly alternative to for the Maggid section (the Passover story section) of the Haggadah. This short play is in the style of "sedra scenes" -- a contemporary take which makes the story current but stays true to the Exodus narrative. I've written it for large crowds -- so there are 13 parts, but if you have a smaller gathering you can easily double up.